Review: Moscow Festival Ballet: Cinderella

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By Ashton Temby, guest blogger

Cinderella transformed out of her drab, pauper clothing into a beautifully garbed princess, with the help of her fairy Godmother, of course, at the Lone Tree Arts Center on Thursday night thanks to The Moscow Festival Ballet.

Though throughout the performance the dancers and technical specialists seemed to have had their glass slippers on the wrong feet at times, causing out of sync movements and abrupt endings to the pre-recorded music, the prince came to a masterful rescue in a true classic fairy tale manner.

Alexander Daev danced Prince Charming exquisitely with supreme confidence, grace, and unparalleled strength. He enchanted Cinderella and the audience alike with his precision, speed, and incredibly high leaps. “Oohs and ahhs” could be heard from the audience as he displayed perfect pirouettes and clean transitions while mastering the stage. The skills obtained from his time at Voronej Ballet School did not go unnoticed. It’s no wonder Cinderella fell into his arms and was swept away.

The Prince’s new found love was danced by Maria Sokolnikova in a smooth and innocent style expected in the role of Cinderella. Her persona accurately portrayed the humble and hardworking nature of the exploited sister, while also depicting the turmoil and sadness in the character’s life. Sokolnikova was perfectly in character throughout the life of the performance and reminded the audience that a true princess is beautiful on the inside first.

Sokolnikova is a gold medal winner in the competition of The Soul of Dance, among other impressive accomplishments. Her experience in ballet was apparent, but left one begging for more intricate movements. The choreography for Cinderella’s role was repetitive and appeared far less complex compared to the movements of her counterpart, Prince Charming, though her potential was obvious. More complicated dance from the main role would have brought further life and drama to this production.  It is hopeful she will be rewarded with roles in the future that push her outside her boundaries.

The classic folk tale, Cinderella, was created for the stage by Sergei Radchenko, and his wife, Elena Radchnko. Sergei Radchenko founded the Moscow Festival Ballet in 1989 after graduating from the Moscow School of Dance, and dancing for the Bolshoi Ballet for 25 years. His company has become world renowned as they continue to add to their breadth of work.

While this performance of Cinderella may not have been a pristine example of what audiences have come to expect from The Moscow Festival Ballet, it appeared accessible for audiences of all ages. The interpretation of the story was easily followed and provided a good platform for new and seasoned balletomanes.

Cinderella was a one time show at the Lone Tree Arts Center, but it is hopeful that the company returns with impeccably executed productions in the future.

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