Getting to know…Julanne Chidi Hill

JCHName: Julanne Chidi Hill

Role: Rose

Hometown: Born in Los Angeles, CA and raised in Altadena, CA

Bonus Fact! Julanne and Leonard Earl Howze go way back – they went to high school together in L.A. and college in New York!

What about Fences speaks to you as an artist? A few things that come to mind are the social relevance of the play and the language. The rhythm and motion in the words. He has created these beautifully flawed characters with cultural specificity.

What’s your biggest challenge when taking on this role?  Perhaps the biggest challenge is honoring the role to the fullest extent, in a way that will help inform and clarify others perception of Rose and the choices she makes.

Favorite role (that you’ve played or that you want to play?): I am currently playing Rose in August Wilson’s Fences…and right now, she’s my favorite!!

When you have a five minute break during rehearsal, what do you spend that time doing? I usually take that time to regroup, have a sip of coffee and I try to step outside for a sec to breathe in the fresh air of Colorado.


Come and see Julanne and the rest of our cast in August Wilson’s Fences, from April 5 – 21, with a preview night on April 4. Click here to buy tickets. 

Getting to know…Leonard Earl Howze

howze01Name: Leonard Earl Howze

Role: Bono

Hometown: Los Angeles, California

What about Fences speaks to you as an artist?: The way August Wilson writes the relationships in Fences is poignant, gripping, and truthful. Yes, he’s writing about the black experience. Yet he’s also writing about the human experience. When you listen to those voices, they speak to the heart.

What’s your biggest challenge when taking on this role?: A challenge in playing the role of Bono is one similar to reality. Where we’re put in difficult situations to shine a light and deliver the hard truth on the wrong doings of close friends, in an effort to get them back on track.

Favorite role (that you’ve played or that you want to play)?: I must say, every role that I’ve had the honor of doing means something special to me. They have all contributed and played a significant part in the journey of my career.

When you have a five-minute break during rehearsal, what do you spend that time doing?: My 5 min break is a time to get a breather from the intensity of the work. Also, with being new to this Colorado altitude, it’s time to pee. lol – no but seriously.


Come and see Leonard and the rest of our cast in August Wilson’s Fences, from April 5 – 21, with a preview night on April 4. Click here to buy tickets. 

Getting to know…Darryl Alan Reed

Darryl Alan Reed 2Name: Darryl Alan Reed

Role: Gabriel

Hometown: Chicago, IL

What about Fences speaks to you as an artist?: What speaks to me as an artist regarding Fences is the identification of fatherhood and the role of baseball in my life. My father played, I played (even had the opportunity to try out for the Chicago Cubs!). In addition, my baseball idol, Roberto Clemente, is mentioned significantly and singularly within the play.

What’s your biggest challenge when taking on this role?: A particular challenge for me is making sure Gabriel is not a caricature.

Favorite role (that you’ve played or that you want to play)?: My favorite role(s) are Gabriel and Stool-Pigeon (from King Hedley II), which I was so far able to understudy and help prepare for, but not actually perform for a paid audience.

When you have a five minute break during rehearsal, what do you spend that time doing?: During break I check messages and use the bathroom, due to my increased water intake while here in Colorado!


Come and see Darryl and the rest of our cast in August Wilson’s Fences, from April 5 – 21, with a preview night on April 4. Click here to buy tickets. 

Getting to know…Bradford Barnes

Bradford BarnesName: Bradford Barnes

Role: Lyons

Hometown: Oakland, California

What about Fences speaks to you as an artist?: The retelling and exploration of a black family in the 1950’s and how that era helped reflect each characters’ individual points of view.

What’s your biggest challenge when taking on this role?: My biggest challenge was not holding my character up to my personal standards in life. Like an onion, I want to continue peeling away layers in order to find the truth and essence of Lyons, not only as a musician but also as a young man.

Favorite role (that you’ve played or that you want to play?): A favorite role I’d love to play is Iago in Shakespeare’s Othello.

When you have a five minute break during rehearsal, what do you spend that time doing?: On a five (or ten) minute break, I usually put on my headphones and find a nice secluded place to dance. Most of the time I’m pop locking and gliding to old school music. It’s very relaxing and I return to rehearsal feeling refreshed and rejuvenated.

 


Come and see Bradford and the rest of our cast in August Wilson’s Fences, from April 5 – 21, with a preview night on April 4. Click here to buy tickets. 

Getting to know…Esau Pritchett

Esau_PritchettName: Esau Pritchett

Role: Troy Maxson

Home: Saginaw, MI

What about Fences speaks to you as an artist?: Fences speaks to me because it addresses the convention of the fall of the tragic hero,  but in the guise of a more contemporary working class black man in America.

What’s your biggest challenge when taking on this role?: My biggest challenge is being careful not to judge my character Troy – allowing for a greater and more truthful exploration of the character as written by August Wilson and not sanitized through my own contemporary and judgmental filter.

Favorite role (that you’ve played or that you want to play?): My favorite role is always the role I’m currently working on. Therefore, Troy is my favorite role.

When you have a five minute break during rehearsal, what do you spend that time doing?: I drink lots of coffee.


Come and see Esau and the rest of our cast in August Wilson’s Fences, from April 5 – 21, with a preview night on April 4. Click here to buy tickets. 

Review: Moscow Festival Ballet: Cinderella

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By Ashton Temby, guest blogger

Cinderella transformed out of her drab, pauper clothing into a beautifully garbed princess, with the help of her fairy Godmother, of course, at the Lone Tree Arts Center on Thursday night thanks to The Moscow Festival Ballet.

Though throughout the performance the dancers and technical specialists seemed to have had their glass slippers on the wrong feet at times, causing out of sync movements and abrupt endings to the pre-recorded music, the prince came to a masterful rescue in a true classic fairy tale manner.

Alexander Daev danced Prince Charming exquisitely with supreme confidence, grace, and unparalleled strength. He enchanted Cinderella and the audience alike with his precision, speed, and incredibly high leaps. “Oohs and ahhs” could be heard from the audience as he displayed perfect pirouettes and clean transitions while mastering the stage. The skills obtained from his time at Voronej Ballet School did not go unnoticed. It’s no wonder Cinderella fell into his arms and was swept away.

The Prince’s new found love was danced by Maria Sokolnikova in a smooth and innocent style expected in the role of Cinderella. Her persona accurately portrayed the humble and hardworking nature of the exploited sister, while also depicting the turmoil and sadness in the character’s life. Sokolnikova was perfectly in character throughout the life of the performance and reminded the audience that a true princess is beautiful on the inside first.

Sokolnikova is a gold medal winner in the competition of The Soul of Dance, among other impressive accomplishments. Her experience in ballet was apparent, but left one begging for more intricate movements. The choreography for Cinderella’s role was repetitive and appeared far less complex compared to the movements of her counterpart, Prince Charming, though her potential was obvious. More complicated dance from the main role would have brought further life and drama to this production.  It is hopeful she will be rewarded with roles in the future that push her outside her boundaries.

The classic folk tale, Cinderella, was created for the stage by Sergei Radchenko, and his wife, Elena Radchnko. Sergei Radchenko founded the Moscow Festival Ballet in 1989 after graduating from the Moscow School of Dance, and dancing for the Bolshoi Ballet for 25 years. His company has become world renowned as they continue to add to their breadth of work.

While this performance of Cinderella may not have been a pristine example of what audiences have come to expect from The Moscow Festival Ballet, it appeared accessible for audiences of all ages. The interpretation of the story was easily followed and provided a good platform for new and seasoned balletomanes.

Cinderella was a one time show at the Lone Tree Arts Center, but it is hopeful that the company returns with impeccably executed productions in the future.

Review: Matt Dusk

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By Janice Hubbell, guest blogger

On a snowy and brutally cold Saturday evening, my hubby and I arrived at the Lone Tree Art Center (thankfully only a couple blocks away) to see Toronto jazz crooner, Matt Dusk, perform. We expected to see unclaimed seats in the sold-out show but were pleasantly surprised to see an audience full of brave music lovers! Matt’s appearance and voice were as dreamy as one might expect at a pop concert, although much more enjoyable! We enjoyed each rendition of jazz standards from the Great American Songbook as Matt warmed up the audience and proceeded to charm us out of our seats! (Naturally, since Valentine’s Day is just around the corner, the songs were romantically inclined such as “My Funny Valentine.” I noticed couples in the audience holding hands and gazing in each other’s eyes…) We also enjoyed the glass of champagne and cookies during intermission—what a lovely surprise!

More than just a professional performer, Matt’s stage presence was warm and genuinely friendly as he invited the audience into his life, sharing bits and pieces of his personal career and family. I especially enjoyed his stories before several of his songs—who doesn’t enjoy a good story?! For instance, I had no idea Johnny Mercer wrote “One For My Baby (And One For The Road)” on a napkin in a bar, in the middle of nowhere, on a road trip to propose to Judy Garland…and he literally was singin’ the blues after discovering she had just married! As much as I like a good cover, I love original music even more so, and Matt performed one of his signature heartbreak stories beautifully. The best song of the night, hands down, however was “Two Shots of Happy, One Shot of Bad,” written for Frank Sinatra by U2 stars, Bono and The Edge. Sadly, Frank died before performing, and Bono allowed Matt Dusk to debut this song depicting real life. Matt really captured our hearts in his sensitive portrayal as no one moved or made a sound. The concert ended with his moving tribute to Frankie—“I Did It My Way!”

Matt Dusk’s trio of musicians were on the same level as his vocal performance—just a piano, acoustic bass, and saxophone player. Their accompaniment showcased his voice perfectly but he also allowed them to shine individually. As we were leaving, we encountered Matt in the hallway and he stopped to shake hands and chat. We complimented his performance and mentioned the musicality of his band, especially since there was no drummer. As a musician, I know how difficult that is—musicians lean on the drummer to carry the song and must be twice as good to carry the music without percussion. Matt mentioned they were all from Denver and that he would pass on the compliment!

 

 

 

Review: PostSecret: The Show

by Kristi Andrus, guest blogger

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All of the stories featured in PostSecret: The Show were true. I didn’t expect that. I guess I understood the concept, but still thought the production would have embellished or taken creative license or something. Huh, I guess that truth is stranger than fiction.

Some of the secrets and stories were funny, some were poignant, some were disgusting, some were heartbreaking, some were ironic, and some were heartwarming. The ones that moved me were people so touched by other people’s secrets that they responded to offer camaraderie, support, even money. The stories of people saving voicemails of their loved ones to listen to after they died were relatable and hard to hear. The postcard I’m not sure I’ll ever forget said: “Everyone who knew me before 9/11 believes I’m dead.”

Why?! Why would he/she do that to people that love them? To people that know them and cared about them and now mourn them? Was it so bad? Is he/she escaping something? It’s got to be made into a book, right? Someone please take that secret and run with it. Write the book, option the rights to a movie, who knows where it could go?

The best parts:

The actors – There were only three, Maria Glanz, TJ Dawe, and Kerry Ipema. They were fantastic and believable. It was so much fun to see them embody the different people from the postcards.

The start – “Listen. Don’t Judge. Use a voice of compassion. Build rapport.” Relevant and riveting from the get-go. It could have been a mantra.

The stats – I pee in the shower is the most common secret mailed in. Tell me who feels the need to confess that? I wish I had someone to share my secrets with is the second most common secret. That’s sad. Vulnerability is powerful y’all. Share with a friend and watch your relationship evolve. You don’t have to share your biggest, worst, darkest secret, maybe start small and see how it goes.

The timing – “In 2004, nothing went viral.” Timing, ladies and gentleman, is everything, and ideas, businesses, and relationships are made and broken on that alone. This concept probably wouldn’t work in today’s world, but it worked when it launched and it’s still going strong. Check out the blog to see how it’s expanded.

The instructions – Take a postcard, or two. Tell your secret anonymously. Stamp and mail the postcard. Your secret can be a regret, fear, betrayal, desire, confession, or childhood humiliation. Reveal anything – as long as it is true and you have never shared it with anyone before. Simple and powerful.

If you missed the show, I’m sorry, it was a great night out. To the fellow audience members with really great laughs, thank you for being a delightful soundtrack to the show.

See you at Lone Tree Arts Center for the next one!

Review: PostSecret: The Show

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By Joy Carletti, guest blogger

I have a secret.

I’ve been an off-again, on-again reader of PostSecret for over a decade and a writer and storyteller for nearly as long – and my biggest concern about PostSecret: The Show was that it wouldn’t have enough story to it. After all, it’s based on lots of random anonymous lines written on postcards. How much narrative could there be? Where would the emotional arc come from? How satisfied would I be when walking away from this show?

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PostSecret: The Show was an immersive experience from the very start. Before the show on February 8, sticky notes bearing secrets hung on mirrors in the restrooms, paired with pens and blank pads encouraging hand washers to add their own. (My husband let me know that the men’s room had a number of secrets that read “I don’t wash my hands.”  I didn’t see any such secrets in the ladies’ room, but there were a lot of secrets about husbands.) In the theater, a large screen beckoned audience members to tweet their secrets with a specific hashtag in order to be put onscreen. A lot of “check-ins” were shared on the screen but few true secrets. To be fair, Twitter does not promise the anonymity that an unsigned postcard or sticky note does.

The show started by dramatizing PostSecret founder Frank Warren’s most memorable call while volunteering on a suicide hotline. This was done through voiceover and simple movement; it was both dramatic and moving. The story’s ending was not revealed, but the scene had an energy and a gravitas that were leading. Why might any call into a suicide hotline be memorable?

There is a quote from Oliver Twist that I’ve long treasured, “It is the custom on the stage… to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky bacon.” PostSecret does this beautifully, segueing from its powerful opening into a series of projected postcards about peeing in the shower. This carried throughout the night: moments of extreme tension were followed by great levity. Each postcard on the screen found murmured relatability in the audience. The secrets came in thematic waves, with some broken out and developed into story-scenes by three actors (TJ Dawe, Maria Glanz, Kerry Ipema). Some of these worked very well, showing how people were affected by secrets shared. Others felt a bit treacly and over the top, occasionally giving the sense that PostSecret was the catalyst for healing – rather than the humans behind the stories.

The show incorporated interaction throughout. Following intermission, the audience’s own secrets were read onstage by the actors. These got the biggest responses of the night: raucous laughter, shouts of encouragement, ripples of sympathy. After the show, a photographer was available to take pictures of audience members with their secrets on a whiteboard. The line to share was long!

In the end, my own fears proved unfounded. Of course, wonderful stories emerged out of mere secrets on postcards. Once a secret is shared, there’s an urge to keep sharing. The emotional arc of PostSecret:The Show builds that urge into a wave. I walked out of the show ready to dig into my inner self for something I hadn’t shared before, if only to be part of the movement. It was a truly satisfying evening of theatre – and made for great ride-home conversation!

Preview: Moscow Festival Ballet’s Cinderella

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Photo by Alexander Daev

By Ashton Temby, guest blogger

The Moscow Festival Ballet brings the classic folk tale Cinderella to the Lone Tree Arts Center’s main stage for one night only on Thursday, February 15, 2018.

Cinderella weaves the tale of an unfortunate young woman suddenly at the mercy of her evil stepmother and stepsisters. With the help of her fairy godmother, Cinderella transforms and gets to attend a royal ball wherein she meets her prince.

This interpretation of the classic story was shaped by Sergei Radchenko and his wife, Elena Radchenko.

Sergei Radchenko founded The Moscow Festival Ballet in 1989, creating the first independent company of classic ballet. As a graduate of the Moscow School of Dance, and a dancer for 25 years with the Bolshoi Ballet, Radchenko possessed the framework to found this, now, world renowned company.

Since 1989, The Moscow Festival Ballet has toured, Japan, Korea, Singapore, China, Canada, the United States, and many European countries creating its respected reputation for performing classical elements of Russian ballet.

While Spanish dance is known to be Radchenko’s favorite, he and the company continue to add to their breadth of work, and now also specialize in Twentieth Century ballets, such as Cinderella.

“To stimulate modern viewer interest and need for the art of Russian classical ballet is a main task of our team.” – Elena and Sergei Radchenko (radchenko-ballet.com).

Classical dance elements with a modern twist make this one night performance the event of the season. Tickets can be purchased here or at through the box office.