holiday

Review: Bettman and Halpin – Christmas is a Funny Thing

headerBy Monica Jarrell, guest blogger

Stephanie Bettman and Luke Halpin have a well-earned reputation for delivering a quality show.  During the Bettman and Halpin Christmas is a Funny Thing holiday concert, the duo kept the audience riveted with songs, storytelling and fantastic fiddle playing.  The duo appeared to be having a great time performing and this enthusiasm affected the audience.   They both have an easy, mellow way about them.  They created a relaxed, homey feeling in the audience.

Christmas is a Funny Thing was a combination of well known, traditional Christmas tunes performed by Bettman and Halpin and original music written by Bettman and Halpin.  Some of the traditional songs performed included Drummer Boy,” “Blue Christmas,” and “I’ll Be Home for Christmas.”  Some of the original songs written by Bettman and Halpin included “Fruitcake for All Seasons” and “We’ll Miss You Mama.”  Ms. Bettman told the story of how she was inspired for each song she wrote.

The duo also performed some songs from their soon to be released CD.  Ms. Bettman wrote and sang a song titled “White Rose.”  The inspiration of this song is based on the Cherokee Nation’s Trail of Tears.  I believe most of the audience felt the sorrow in this song.  As I said before, Ms. Bettman tells great stories through her songs.  I can’t wait for the CD to come out!

Stephanie Bettman is an all-around entertainer.  Not only can she sing with a clear, smooth voice but she writes her own songs and plays the fiddle like no one I have ever heard.  She comes across as a regular person with the keen ability of telling stories through songs.

Luke Halpin is the jokester of the group.  He wore reindeer antlers when the show opened then changed into a “naughty” Santa hat later.  He made funny faces, comments, and gestures.  He is a gifted mandolin player.  During this performance he played several different instruments, including the mandolin, and played each instrument expertly.  The audience kept their eyes on this funny man, not knowing what was coming next.

The stage was decorated in festive Christmas decorations.  The atmosphere was relaxed, fun and a great way to prepare for the holiday season.   Bettman and Halpin included the audience in many of their Christmas songs.  These sing a-longs created a warmer holiday feeling in the audience.

The rest of the quartet for this program were local performers.  Bettman and Halpin, the bass player, and drummer only met for the first time the day before the program.  No one would have known this group had not been playing together for years.

The bass player Alex Goldberg is a graduate from University of Colorado Denver with a B.S. in Bass Performance.  He has several years of experience performing in many different venues.  He is currently performing with the local band Chris Daniels and the Kings.

Ryan Elwood is also a local performer.  He has performed with several different bands, including Adrienne O and the Austin Young Band.  He has played at the famous Red Rocks Amphitheatre and Gothic Theater.  He also teaches private lessons.

Bettman and Halpin: Christmas is a Funny Thing was a very entertaining show.  I recommend that you try to see this group the next time they come to town.  At the very least pick up their CD.  You won’t be disappointed.

Preview: Bettman & Halpin: Christmas is a Funny Thing

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By Monica Jarrell, guest blogger

Stephanie Bettman and Luke Halpin are singers, song writers and all around entertainers. They are known for their original Folk/Americana performances. Their concerts consist of high- energy, up beat bluegrass/roots songs and beautiful ballads most of which they have written themselves. They have become known for their story telling through music and playful banter. They describe their music as “rootsy” springing from the traditions of American blues, jazz and folk music. Bettman and Halpin started touring in 2008 and incorporated a trio and quartet in 2013.

Stephanie Bettman is an accomplished song writer, singer and also an outstanding fiddle player. She has been compared to Joan Baez and Emmylou Harris. Her fiddle playing has been inspired by Stephane Grappelli, Byron Berline and Johnny Gimble. Ms. Bettman is a former actress and trapeze artist. She is classically trained in opera, violin, and voice. She studied at the Oberlin Conservatory.

Luke Halpin is a multi-talented performer with the ability to play several instruments. These instruments include guitar, mandolin, fiddle, banjo and almost any other instrument he decides to play. He is also a vocalist and is able to blend perfect harmonies with Ms. Bettman. Luke has a long history is show business. He once shared the stage with Merle Haggard, Lone Star, and The Steve Miller Band. His quirky sense of humor rounds out his talents as an entertainer. Halpin grew up in South Pasadena, and is self-taught.

Bettman and Halpin have earned several awards and competitions including: Grand Prize Winners in the So Cal Live Acoustic Music Competition and the winners in Southern California’s Topanga Banjo/Fiddle Contest. They have twice been a featured act at the Walnut Valley Festival in Winfield, KS along with Byron Berline, Michael Martin Murphy, Pat Flynn, and Tommy Emmanuel.

Phil Norman is another member of the group. Phil is cello player described as “playing the cello with a modern flare” (Marquee Magazine, January 2013). He is classically trained with a degree from the University of Colorado. He has created his own sound with alternative styles of playing the cello. Phil has been playing with Bettman and Halpin since 2013. He has performed concerts in the United States, Italy, and Australia, and has appeared on stage with composer and pianist Carter Pann, guitarist Grant Gordy, and Bonnie Carol, and was a featured artist for TEDxBoulder.

Carl Sorensen is one of Denver’s own. He joined Bettman and Halpin in 2013. He has played all over the country including Red Rocks Amphitheater. He has been compared to Ringo Starr and Levon Helm. Carl has played in more than 65 bands at the same time! He is very energetic and will bring this energy to the show.

Bettman & Halpin will perform a holiday show for the entire family titled “Christmas is a Funny Thing.” The duo will sing traditional holiday classics, several of their own originals, and share stories and songs about the ups and downs and sideways events of this holiday season.

Save the date: December 9, 2018 at the Lone Tree Arts Center at 7:00 pm

Tickets Available Here

Review: The Doo Wop Project Christmas

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By Monica Jarrell, guest blogger

If you did not attend The Doo Wop Project Christmas at the Lone Tree Arts Center, you missed an outstanding performance by a very talented group. The Doo Wop Project Christmas consists of five Broadway Stars that love Doo Wop and want to share the sounds of yesterday with the new sounds of today. They reimagined traditional Christmas songs with the sounds of Doo Wop as well as performing “oldies but goodies” that we all recognize still today.

The show opened with some of the members of The Doo Wop Project coming out from the back of the audience to approach the stage. Other members of the group came from behind the stage and the side doors. The group appeared in classy red satin jackets. The audience, young and old, instantly responded to the group. These five talented stars connected with the audience from their first musical notes and kept the audience engaged until the final curtain.

The opening number was a lively, fast, paced Christmas song with Dominic Scaglione taking the lead. Dominic is well known for his role as Frankie Valli in Jersey Boys. Several “older” women in the audience were whistling and hollering like school girls at a concert when he sang. They obviously loved what they were hearing.

The show also included Doo Wop-inspired songs such as Amy Winehouse’s “Valerie.” Many traditional Christmas songs were included. Songs like “White Christmas,” “This Christmas,” “Santa Claus is Coming to Town” and even “Dominic the Donkey.” The group performed a very special song called “Doo Wop Christmas” which was originally performed by Kenny Vance and the Planotones.

The Doo Wop Project is supported by a very talented five-piece band. Each band member performed a solo which included a sax player, drums, bass and lead guitars and the piano. This group may be in the background but they made the whole experience very special.

The Doo Wop Project members have some deep roots in Doo Wop. During the program each member was introduced to the audience and they told their stories on how they got to be The Doo Wop Project. Many members of the group have relatives that were involved in the early stages of Doo Wop. The Doo Wop Project brings these experiences and talents as well as knowledge from experiences from their childhood to the stage today to perform Doo Wop inspired songs for audiences everywhere.

The music supervisor is Sonny Paladino (piano player). He has an impressive portfolio of credits. Sonny was the music supervisor for the Broadway musical Natasha, Pierre and the Great Comet of 1812, and he is the music director for the upcoming Broadway show Smokey Joe’s Café. During the show, he interacted with The Doo Wop Project group and everyone could tell he was enjoying what he does.

Dwayne Cooper is said to be the modern day Sammy Davis Jr. His voice is a very unique deep bass which the audience just loved. He brings dancing, singing and pure entertainment to the stage. He is very funny and full of energy. He went out into the crowd and had every one on their feet singing and dancing.

Charl Brown whose credits include portraying Smokey Robinson in Motown: The Musical, captivated the audience with his rich voice and natural charisma. Charl brought us back in time when he sang. He has several credits to his name including a Tony Award for the Best Featured Actor in a Musical on Broadway.

Dominic Nolfi, is also a member of the original cast of Motown: The Musical. Dominic is handsome, charming and has a very rich smooth voice. Dominic is one of the founding members of The Doo Wop Project.

Russell Fischer has a wide range singing voice. He is able to sing from tenor to falsetto. He is best known for his part in Jersey Boys as Joe Pesci. He has been the understudy for the role of Frankie Valli for over 6 years. He is very fun to watch and listen to. Frankie Valli seems to be on stage when Russell is singing.

The Doo Wop Project attempts to bridge the generation gap. Most of us grew up dancing to the radio with our parents and grandparents to Doo Wop. The sounds of Doo Wop will really never grow old. Together these talented people have what it takes to entertain young and old alike. If you get the chance to see and hear The Doo Wop Project, I recommend it. You will be glad you did.

Preview: Doo Wop Project Christmas

By Monica Jarrell, guest blogger

What a great way to bring in the holidays.  The sounds of the 50s and 60s mingled in with the sounds of today.  The Doo Wop Project Christmas is sure to get everyone in the holiday spirit.  Be sure to check out the Lone Tree Arts Center on December 2, 2018 at 7:00 pm for a show you will not want to miss this season.

The harmonies of five talented Broadway stars make up the Doo Wop Christmas Project.  Jack Everly, the conductor of the Baltimore Symphony Orchestra, discovered the Doo Wop Project while they were performing in a supper club in New York City.  He knows talent when he sees it.  He asked the group to perform at the Baltimore Symphony Orchestra in the SuperPops lineup.  The group has been performing across the US ever since.

The Doo Wop Project connects the dots from ordinary guys singing on the street corner to the top hit radio sounds of today.  The group came out of Broadway where they have blended their love of Doo Wop and Motown.  Their music is influenced by sounds of Smokey Robinson, The Temptations and The Four Seasons and modern musicians such as Michael Jackson, Maroon 5 and Amy Winehouse.

Group members of the Doo Wop Project include Dominic Scaglione Jr. who was most recently seen in the role of Frankie Valli in Jersey Boys.  He performed on The Oprah Winfrey Show and was personally asked by Frankie Valli to sing at his New Jersey Hall of Fame induction ceremony.  Early in his career Dominic toured with Christina Aguilera, Destiny’s Child, Beyoncé, Robin Thick and Boyz 2 Men.  He is one of the original creators of the Doo Wop Project.

Charl Brown was in the role of Smokey Robinson in Motown: The Musical where he was nominated for a Tony Award for Best Featured Actor in a Musical on Broadway.  Charl played the role of Adam/Noah in Children of Eden at the Kennedy Center in Washington, DC.  Other credits include Jersey Boys on Broadway and Las Vegas, Sister Act on Broadway, Hair in Europe, Ever After, Johnny Baseball, Dream Girls, Six Degrees of Separation, Jesus Christ Superstar, A Chorus Line, and Stars Wars Trilogy in 30 Minutes at Edinburgh Fringe Festival and several television appearances.

Talented Dominic Nolfi has been on Broadway in Chazz Palminten’s A Bronx Tale-The Musical.  He was an original cast member of A Bronx Tale, Motown: The Musical and Jersey Boys and he can be heard on all three cast recordings.  Dominic performed in the World Premiere of A Bronx Tale and Jersey Boys at the Paper Mill Playhouse and the La Jolla Playhouse.

Russel Fischer is known for his tenor voice and falsetto range.  Fischer played the role of Joe Pesci in Jersey Boys.  He has been the understudy for Frankie Valli as well.  He has starred as Billy Kopecki in Big: The Musical.  His credits include Jimmy Smith in Thoroughly Modern Millie, Tommy Djilas in The Music Man at Chautauqua Opera, the American premiere of Children of Eden at Paper Mill Playhouse and several he has appeared television including TV Land’s 60 Second Sitcoms.

Dwayne Cooper began his career signing with Christian a cappella group called “The Cunningham Singers.”  He has appeared on Broadway in Motown: The Musical, Hairspray, Smokey Joe’s Café and Showboat.  His talents include song writing and he has charted on Billboard’s Top Ten Dance chart.   He has appeared on Law and Order, Unbreakable Kimmy Schmidt, Difficult People and RuPaul’s Drag Race.

Another all-around multi-talented group member is Sonny Paladino.  Sonny has been the Music Supervisor for the Broadway musical Natasha, Pierre and the Great Comet of 1812, and the Music Director for the Smokey Joe’s Café.  He was also the Associate Conductor for The Last Ship.  Other Broadway credits include Jesus Christ Superstar, Billy Elliot, Grease, Priscilla- Queen of the Desert, Guys and Dolls, Mamma Mia and several other productions.  Sonny’s work has been featured on The X-Factor Australia and The Next Big Thing.

Doo Wop Project Christmas is sure to touch every member of the audience with sound from yesteryear to contemporary music of today.  Gather your friends and relatives and come to Lone Tree Arts Center on December 2, 2018 at 7:00pm to start the season with music that is sure to get you into the Holiday spirit.

Single seats remaining: http://www.lonetreeartscenter.org/doowopprojectchristmas

Review: Michael Martin Murphey “A Cowboy Christmas”

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By Janet Warner, Guest Blogger

I was pleased to be able to attend A Cowboy Christmas with Michael Martin Murphy at Lone Tree Arts Center on December 22nd, 2017.  My husband is not a fan of country music in any form (his loss, perhaps?), but the dear friend I took with me was looking forward to this show as much as I was. I must be honest, however, and admit that we were forced to leave the show at intermission due to illness, so I can only write about what I saw and heard during the first hour of a nearly two hour performance.

As we drove into the rear of the Arts Center parking lot, we passed the big tour bus that Murphey arrived in.  It looked pretty fancy to my eyes, and if one is going to take an extended road trip, I would think this would be the way to go.  After looking at Murphey’s tour schedule from November through July 2018, he’s going to get a lot of use out that bus.

Shortly before the performance, I was curious to know whether the show was sold out.  It was close, with only three single seats still available on the online seating chart; the next night’s performance looked the very much the same.  Either people had heard about or seen Michael Martin Murphey before, or the marketing department had done its job selling the show.  I suspect the former was true, because from my vantage point near the back of the theatre, it appeared that the majority of the audience knew the artist and were already fans.  I say this because it looked to me like many of those attending were prepared to see his country show and dressed accordingly; I saw a plethora of cowboy hats, boots, western shirts and leather.  In fact, a few of the women were dressed in full western regalia and would have been entirely comfortable in any 1800s Wild West saloon!  And, no surprise, the bulk of the audience were baby boomers like me.

Photo By Kim ThompsonThe stage itself was sparsely set up, with five microphones on stands and a blank video screen behind them.  A young man walked out to introduce Murphey, and it turned out to be his youngest son, Brennan.  He said a few words about his dad, the band, the “Murphandise” for sale, and the show itself, and injected the introduction with enough humor so that I didn’t much mind the sales pitch.  Michael Martin Murphey appeared soon after, along with his band of four.  Two, in addition to Murphey, played guitar, one played electric violin, and Brennan played some sort of string instrument that I didn’t recognize, but it added a nice layer of interest to the music. Murphey, dressed in a long, fringed, soft leather jacket, neckerchief and jeans, looked the quintessential cowboy, but then again, they all did!

My impressions of the show were many.  Truthfullly, I was not very familiar with Murphey’s music, other than the songs that made it on the radio years ago (such as “Wildfire” and “Carolina in the Pines”).  I didn’t recognize most of the songs he did, but it didn’t really matter, because the music was really good.  It was interesting too, because I could understand every word of the lyrics so I was drawn in by the stories he told.  Murphey may be in the latter part of his career (due to getting older, and not because he’s lost any of his talent), but he can still keep an audience engaged .  The show was a mixture of storytelling, poetry and music.  Murphey said he’s been doing this show in one form or another for twenty-four years, and it’s obvious he still enjoys performing it.  One of the things I most enjoyed was the harmonizing.  Though there was only one woman in the band, her voice was strong and full of character, and the combination of voices behind Murphey was first rate.  I’m sure the whole point of having a band behind you is to enhance the main performer, and that was definitely true here, all of them fine musicians in their own right.

The video screen behind Murphey and the band was used to show still pictures and video, its purpose to enhance the poem or story he was telling.   Some of the pictures and video showed repeatedly, and that would be my only minor complaint with the stage and setup.  I think more could have been done to improve the quality of the whole experience by having something interesting to look at onstage besides microphone stands and a video screen.  But, perhaps that was the whole point; the focus was solely on the music and not on bells and whistles.  And after such a long and successful career in music, perhaps Michael Martin Murphey knows what he’s doing a little better than I do!  Well done – I think everyone had a great time.

Review: Cherish The Ladies

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By Janice Hubbell, Guest Blogger


My daughter and I celebrated our Celtic roots in another stirring, sold-out Christmas performance by the all-girl music ensemble Cherish The Ladies. I fondly recalled my Irish grandfather playing the fiddle while Lindsey was transported back to her study abroad summer in Ireland where she experienced first-hand the lilting voices and warmth of the Irish!

This ladies’ group is composed of Irish Americans, native Irishwomen, and performers from Scotland and Canada. The performers expertly combined Christmas music, jokes, stories, and dance with traditional Irish folk songs. Within the intimate venue of the Lone Tree Art Center, the music carried the audience on gentle waves of haunting ballads through energetic currents of foot-stomping, toe-tapping rollicking jigs!

Band leader Joanie Madden, humorist and warm-hearted flautist, revealed her artistic, sensitive spirit in the penny whistle composition “American Wake,” which delicately depicts her emigrant mother’s pathos as she says goodbye to her family in preparation for her journey to the United States—not knowing if she’ll see her loved ones again.

A founding member of the group, acoustic guitarist, Mary Coogan, expertly accompanied the music and singing. Mirella Murray, also an original “lady,” played the accordion with ease and dexterity, blending seamlessly with other instruments and voices. The young and talented Kathleen Boyle played piano in a traditional folk style. Nollaig Casey’s star shone brightly as she shared her distinctive talent in playing the fiddle, especially notable in historic ballad solos written more than 300 years ago and singing in the Gaelic with a pure alto voice.

An important element of the show was the athletic male Irish step dancers Jason Oremus and Garett Coleman who periodically left us breathless with hearts pounding until they took their final bow! They were joined by the lovely, accomplished fiddle player and dancer, Julie Fitzgerald, who played and danced with joy and abandonment.

An evening highlight was guest singer, Don Stiffe, from Galway, Ireland. Don sang with a clear, rich tenor voice, reminiscent of Burl Ives. He ended the evening with a poignant, memorable Christmas version of Leonard Cohen’s “Hallelujah” as his voice soared majestically on the last chorus. We left the performance feeling refreshed and ready for the holidays!

Preview: Michael Martin Murphey

Michael Martin Murphey Promo Photo 1

By Janet Warner, Guest Blogger

The Lone Tree Arts Center is excited to welcome back Michael Martin Murphey, performing December 22nd and December 23rd, 2017.  He previously appeared with the Lone Tree Symphony in 2013, but A Cowboy Christmas will be a show with his own Rio Grande Band.  As a testament to his talent and popularity, Murphey was originally scheduled for just one appearance, but ticket sales were so brisk that a second date was added. While you may not be so familiar with his name, you have probably heard his music on the radio over the years, with classic hits like “Wildfire,” “What’s Forever For,” and “Carolina in the Pines.”

Murphey’s holiday show celebrates what he calls the cowboy culture – a life based on faith, family, hard work, and his passion for conservation and the environment.

Photo By Kim ThompsonMichael Martin Murphey is drawn to all things having to do with the American West.  He is a student of its history, culture, landscape, and the characters who shaped and built it.  Murphey’s music reflects these interests and passions, and with more than 35 albums produced over a long career, his life experiences documenting the cowboy culture are what drive his music.  It goes without saying that he is also a gifted songwriter, his songs having been recorded by artists such as Kenny Rogers and the Nitty Gritty Dirt Band. In addition, he’s had multiple gold records and been nominated for several Grammy awards.

He continues a busy tour schedule of his Cowboy Christmas show through the end of the year in Texas, New Mexico, Oklahoma, and Colorado.  You are in for a real treat if you’re lucky enough to get tickets to see Michael Martin Murphy this Christmas season – it will be impossible not to tap your feet, clap your hands, and enjoy yourself!

 

Preview: Cherish The Ladies

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By Janice Hubbell, Guest Blogger

Celtic music evokes memories of my Irish granddad playing the “fiddle”—not to be confused with the violin! I have not yet visited Ireland, Scotland or Wales, but my daughter spent a summer as an undergrad at The Burren College of Art in Ballyvaughan, Co. Clare, Ireland, and I loved her photographs of haunted castles, crystal chandeliers, rugged coastlines, trees hundreds of years old and little bog houses decaying back into the soil. These images felt familiar… like I had been there before. Maybe Ireland is imprinted in my DNA!

Traditional Irish music style encompasses a wide range—from haunting to boisterous, depending on the tempo, instrument, and the song’s intended emotion and message. My daughter and I are looking forward to celebrating our Celtic heritage on December 20 with Cherish The Ladies who have been authentically representing Irish music and step dancing for over 30 years. This Grammy-nominated Irish-American group broke into the male-dominated Irish music scene in New York City in 1985 and they are coming to perform for us at the Lone Tree Art Center!

It’s Ladies Night…See you there!

 

Preview: A Kantorei Christmas

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By Theresa Allen, Guest Blogger

In the deep still of a winter’s night, there is nothing more beautiful, more transcendent, than the lift of human voices in song.  Begin a new holiday tradition with your loved ones at A Kantorei Christmas on December 19, 2017 at 7:30 p.m. at the Lone Tree Arts Center.

Denver-based Kantorei, is a world-class a cappella choir, led by artistic director Joel Rinsema. A Kantorei Christmas features the soaring voices of more than 50 singers who will be performing My Perfect Stranger, a beautiful retelling of the Christmas story, premiered by the BBC Singers in 2016 and written by former King’s Singer Bob Chilcott. Janet Kay Harriman, the principal harpist with the Central City Opera Festival and a frequent performer with Opera Colorado, will accompany the choir. The evening will also feature the choir’s performance of an arrangement of traditional carols by Jackson Berkey of Mannheim Steamroller and the audience will be invited to join in the festivities.

A Kantorei Christmas promises to be a truly special evening of newly composed music and classic carols that will fill your heart with the Christmas spirit. Tickets for A Kantorei Christmas are on sale now from $33 to $40 and can be purchased at http://www.lonetreeartscenter.org/kantoreichristmas. The Lone Tree Arts Center is located at 10075 Commons Street in Lone Tree. Free on-site parking is available.

Review: Home for the Holidays

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By Kristi Andrus, Guest Blogger

For the holidays, you can’t beat home, sweet home.”

Ok, if you read my preview, you know I’m a confessed Christmas-a-holic and was really looking forward to Home for the Holidays at Lone Tree Arts Center. You also know that the theme this year is holidays through the ages and the show is appropriate for audiences of all ages, so I attended with my five-year-old daughter and she can be a tough critic. Ladies and gentlemen, I’m pleased to report that it lived up to the hype for both of us.

The show opened with a soloist and shadow dancers that spelled out holiday words with their bodies behind the screen, which was an entertaining effect that immediately grabbed the audience. (There was a great band on stage throughout the show too, and other than a guitar solo during the Christmas-fied “Yuletide Bohemian Rhapsody,” the saxophone clearly was the star.)

Emcee (Rob Costigan) provided a funny break between sets and Santa (Colin Alexander) and Mrs. Claus (Margie Lamb) co-hosted, bantered, and regularly burst into song. They both have beautiful voices as they recalled moments from each decade, and my daughter waved and clapped every time they returned to stage. She wasn’t the only child to do that.

Starting with the 50s, the cast danced, sang, drummed, and played their way through the decades. The songs were infectious with surprises and funny moments that kept everyone on their toes. “Blue Christmas” seemed to be a crowd favorite.

The sets were bright and retro, as were the costumes – the black and white mini dresses of the 60s were my favorite. Fair warning…there were a lot of food references: “he puts the chocolate chip in your cookies” for example, so don’t come hungry. At one point, they even called out to the audience to acknowledge their calorific recipes.

After intermission, there was another sax solo as we entered the 80s, and the drummers impressed with buckets and pans, and then beatboxing! Another clever Christmas-fied song was Journey’s “Don’t Stop Believin’” performed by Elves (on Shelves).

Deep bass and hip hop breakdancers reminded me why I loved college. Then, when a young boy (Jonathan Jaramillo) found a Zoltar fortune teller and wished to become a great performer, it was a believable transformation. He had the charisma, voice, and moves of a young star. And special guest Sheryl McCallum from Broadway’s The Lion King nailed “All I Want for Christmas is You.”

The children’s choir spoofed “12 Days of Christmas” by pretending to be adults lamenting the responsibilities of the season: 5 months of bills, fat pants, and no batteries included received many knowing smiles and groans from the audience. The “‘Twas the Night Before Christmas” rap felt relevant, not campy, even though (or maybe because?) the stage was filled with dancers in glitter jackets, violinists, drummers with glowing drums, and a Sia-inspired young girl.

The show ended with a dance party and my daughter jumped out of her seat to participate. It was after all, a Christmas version of Justin Timberlake’s “Can’t Stop the Feeling.” She literally couldn’t stop. How would any five-year-old resist the biggest Trolls song of the year?

All in all, the show was fun and sweet, nostalgic and current, so truly, there was something for everyone. We loved it and you will too.

Playing now through Sunday, December 17 at Lone Tree Arts Center. For tickets and more information go to: http://www.lonetreeartscenter.org/homefortheholidays